Archive for September, 2010

Photo Essay: Rappahannock Hunt (September 12, 2010)

The photo essay is posted at KLM Images.

Before the meet begins

Arm & arm

While the iconic photos of foxhunting at the start of the meet involve hunt staff posed with their hounds ready to hunt, you can find many things of interest to look at well before that point, beginning with the hound trailer.

Whenever I meet a hunt for the first time, I try to be especially diligent about getting shots of the hounds.  I can’t capture their foxhunting abilities with a camera, but I can start to get a feel for their personalities and to identify some of the individuals.  Paying attention to the hound trailer is a good start.

Each hunt’s setup is a bit different, depending on the sort of trailer they use.  Often you are restricted to a view of noses through slits which, while amusing, is a bit limited.  In this case, the interaction between one hound and the huntsman captured some accidental symmetry. Read the rest of this entry »

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Photo Essay: Old Dominion Hounds (September 11, 2010)

The photo essay is posted at KLM Images.

Shadow as second subject

Creative use of shadows

Always be alert for unexpected bonuses.  I did not deliberately frame this shot to capture the shadow, too; I just tried to place myself in such a way that the subject was well lit.  But when I looked at the results afterward, I was pleased to see two subjects striding along the horse trailer, not just one.

Picking hounds out of the pack

A study of hound heads

There’s a lot of action in a pack of hounds, but many complications as well.

No matter how small the group, at least one (usually right in the center of the frame) is doing something you don’t want to record for posterity.  Even when they are all well-behaved, they may be arranged unhelpfully, with heads buried, shadows cast on each other, and so forth. Read the rest of this entry »

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Photo Essay: Ashland Bassets (April 16, 2010)

The photo essay is posted at KLM Images.

Complicated events

Waiting for another hunt to finish

This is a just-published essay from an event of a few months ago.  There is a 4-day pack trial of basset hounds where several hunts come and compete in various pack formations (3-couple, 5-couple, 7-couple) actively hunting rabbits and being judged for hunting effectiveness.  This particular essay is the second day, with the 3-couple (6 hounds) competition.  Day 1 is published here; days 3 & 4 will be available here & here.

At any time during the course of the day, there may be one pack just finishing hunting and exiting the hunting area, one pack beginning to hunt, another pack waiting its turn, and yet another pack out taking some exercise.  The participants largely know each other and have done this for many seasons, so they are not confused by the activities, but a photo essay sampling all the activities in order can’t help but be bewildering to less knowledgeable viewers compared to, say, a foxhunt.

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Photo Essay: Blue Ridge Hunt (September 6, 2010)

The photo essay is posted at KLM Images.

Dark outside

Junior whip in the rising sun

Cubbing is typically done very early in the day so that the temperature remains as cool as possible.  This presents a real challenge to photography of course, since the sun is often barely over the horizon.

The human eye adjusts so well to low light conditions that it’s easy to forget the camera needs much more help.  When choosing between moving subjects (shutter speed) and dim light (open aperture, shallow depth of field), I typically go for speed, since going for light gives me two problems instead of one, but the result will sometimes be rather grainy (high ISO).  My husband was out with me taking pictures, and I was able to compare the well-lit but blurred-by-movement shots from his point-and-shoot camera, confirming me in my choice.

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Overview: Resolution, Pixels, File Sizes

I will attempt to make a bewildering topic a bit more intelligible in this overview.

Example of screen resolution at 72 ppi (see below for larger)

What I’m going to cover

I’ll take you through a bit of what happens inside your camera, how pixels are stored in an image file, how image files are stored on a computer, and how to choose the right resolution for different usages.  I’ll be generalizing with a heavy hand to keep the explanations as simple as possible.

I will use one of my cameras (Canon 50D) as the example.  It’s a standard dSLR camera, the sort with removable lenses.  If you’re using a camera phone or a point-and-shoot, all the same considerations apply, but some of it is hidden from you or not accessible.

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Photo Essay: Old Dominion Hounds (September 4, 2010)

The photo essay is posted at KLM Images.

Can you spot the camouflaged hound leaning on the horse?

Lovely hounds

This was the first day of cubbing for the Old Dominion Hounds.

As sometimes happens, all the hunting activity took place off-stage, from the perspective of the car-followers.  We got to watch them leave and return, and in-between there was much appreciation of the lovely scenery and occasional faint echoes of hounds and horn.

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Who is your audience?

…and what do they want?  A complicated question.  Here are some initial thoughts.

Photo essays – the subjects

Although I have done some straight commission work, more interesting to me is the work done with no particular customer in mind.  For example, when I cover a hunting meet, I don’t know in advance what sorts of shots I will get, nor who might be interested in them.

At the opening meet of the season

Junior handler with her basset hound

Not surprisingly, some of the customers are the subjects in the photos.  They enjoy seeing pictures of themselves having fun or all dressed up for a special event.  They are fond of their horses, their hounds, and their friends.

And then there are the kids, who may or may not see the photos online but who have parents and grandparents.

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Photo Essay: Blue Ridge Hunt (August 28, 2010)

The photo essay is posted at KLM Images.

An exercise in monochrome

The good and bad of misty mornings

Cubbing starts early in the morning to avoid as much of the late summer heat as possible.  The big challenge was to take effective pictures near dawn in low light and exceptionally heavy mist.  The Blue Ridge Hunt kennels are near the Shenandoah River at the base of the Blue Ridge Mountains, and the mist from the river was persistent. There were patches of dense fog just a few yards from bright sunlight.

One of the whippers-in was mounted on a grey horse that was exceptionally photogenic in the lighting conditions.  I took many shots (and published a few) exploring how much you could get out of essentially colorless scenes.  The lighting controlled which were silver and which were sage.

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